In 1973 I was hired by the New Jersey State Museum to create programs for school children coming to the museum. For two years I experimented with a form of communication I called “storytelling”. It was different from the storytelling presented in libraries where the storyteller held up a book, both reading and showing the pictures to children. It was different from “folk” storytellers who shared stories from different oral traditions without aids. My storytelling programs incorporated a variety of media: recorded music and sound effects, visuals (sometimes film) on rear-projection screens and my own spoken stories and narrative. It was an early form of multi-media storytelling.

Recently the New York Times had an article on the number of writers who publish their works first as audio-books, not paper-books. I, in contradiction to the trend, have chosen to publish my most recent story as a paperback book. When I pointed this out to my wife, she said “you have always been a contrarian, going against the grain.”

There is a reason for my contrarian nature. As I have shared in the past, my dyslexia put a “chip on my shoulder” at an early age. I learned early in life to not accept direction just because it came from someone in authority. I had to judge for myself and follow my own instincts. This has had both positive and negative results for me. On the positive side, I have forged a creative and unique path in life with my work as an oral storyteller. On the negative side, I have not been good at working in institutions where there are people in authority.

So how do I make sense of my decision to put forward Of Mice And Mills as a paper book and not as podcast or an audio book? My decision is based on preservation and not on financial reward. This does not mean that I will not record this story in the future if people find it efficacious; but for the present, I am intent on preserving my creative work for others to discover after I am dead.

I want say a word about Amazon’s software– Createspace.com–that I used to publish my book. With limited computer skills, but with energy to explore and determination to succeed, I was able to publish my book and have fifty paperback copies for under $200.00!

The creative life is not about fame and money–though I believe you have to pay attention to the details of money to be successful–it is about following your passion to create wherever it leads you. In fact success, I believe, often leads to repetition and limits your opportunities to try new things. Creating the mouse storybook has taken me back to other scripts for stories that I have performed orally for many years. I ask myself: Is there another story I want to publish as a paper book?

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